Sergei Prokofiev, Roustem Saitkoulov made "Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor" available on November 1, 2000. The duration of Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Études for Piano Recital, so we believe that "Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor" is a single. Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Prokofiev: 4 Etudes, Op. 2: No. 1 in D Minor by Sergei Prokofiev, Roustem Saitkoulov is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 4 in E Minor | Johannes Brahms, Idil Biret | A Major | 0 | 11B | 114 BPM | ||
Transcription on Hungarian Dance No. 5 | György Cziffra | D♭ Minor | 2 | 12A | 97 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
6 Chants polonais, S. 480: No. 3, Das Ringlein (Pierscien, the Ring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | E♭ Major | 0 | 5B | 87 BPM | ||
Pelléas et Mélisande, Op. 80: II. La Fileuse | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 0 | 9B | 87 BPM | ||
No. 10 Verzweiflung | Johannes Brahms, Idil Biret | G Major | 4 | 9B | 95 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM |