"4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin)" by Franz Schubert, Josephine Knight, The Gesualdo Six was released on May 17, 2024. 4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Schubert Reimagined". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. 4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) by Franz Schubert, Josephine Knight, The Gesualdo Six having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arabesques: III. Fading | Joanna Marsh, Owain Park, The Gesualdo Six | A Minor | 1 | 8A | 126 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Altera, Christopher Lowrey | C Minor | 0 | 5A | 70 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第6曲 知りたがる男 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | B Major | 0 | 1B | 79 BPM | ||
6 Quartette, Op. 112: I. Sehnsucht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | B♭ Major | 1 | 6B | 111 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Trois chansons M. 69: II. Trois beaux oiseaux du paradis | Maurice Ravel, Netherlands Chamber Choir | E Major | 3 | 12B | 78 BPM | ||
Wiener-Damen Ländler und Ecoissaisen, Op. 67, D.734, Ländler: No. 14 in B Minor - No. 15 in G Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
From Hardy Climes and Dangerous Toils of War, Z. 325: The Sparrow and the Gentle Dove | Henry Purcell, Nicholas Mulroy, Elizabeth Kenny, Toby Carr, Music for a While | D Minor | 1 | 7A | 123 BPM |