Johann Sebastian Bach, Yo-Yo Ma's 'Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude' came out on 1997. The duration of Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Yo-Yo Ma's "Inspired By Bach: The Cello Suites (Remastered)" album is number 1 out of 36. Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude by Johann Sebastian Bach, Yo-Yo Ma to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Suite bergamasque: III. Clair de lune | Claude Debussy, Roland Pöntinen | D♭ Major | 0 | 3B | 71 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | E Major | 1 | 12B | 83 BPM | ||
Unaccompanied Cello Suite No. 2 in D Minor, BWV 1008: Prélude | Johann Sebastian Bach, Yo-Yo Ma & The Silk Road Ensemble | D Major | 0 | 10B | 92 BPM | ||
Albinoni: Adagio in G Minor | Remo Giazotto, Tomaso Albinoni, London Philharmonic Orchestra, Ben Gernon | C Minor | 3 | 5A | 87 BPM | ||
Adagio for Strings, Op. 11a | London Philharmonic Orchestra | B♭ Minor | 2 | 3A | 78 BPM | ||
Rain | George Winston | F♯ Minor | 2 | 11A | 155 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Alexander Rudin | D♭ Major | 2 | 3B | 169 BPM | ||
Monti: Csárdás. Largo maestoso - Allegro vivace (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM | ||
She / Swimming | Moon Ate the Dark | D Minor | 2 | 7A | 128 BPM |