Filippo Azzaiolo, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey made "Chi passa per 'sta strada: Chi passa per 'sta strada" available on May 23, 2006. The duration of Chi passa per 'sta strada: Chi passa per 'sta strada is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Chi passa per 'sta strada: Chi passa per 'sta strada's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Frottole by Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey. In terms of popularity, Chi passa per 'sta strada: Chi passa per 'sta strada is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chi passa per 'sta strada: Chi passa per 'sta strada by Filippo Azzaiolo, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
La manza mia si chiama | Filippo Azzaiolo, Ensemble Vocal Résonance, Olivier Légeret | G Major | 4 | 9B | 116 BPM | ||
Come taggio lasciato | Filippo Azzaiolo, Pécs Chamber Choir, Aurél Tillai | D Major | 0 | 10B | 133 BPM | ||
Io son ferito ahi lasso | Giovanni Pierluigi da Palestrina, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | G Minor | 0 | 6A | 134 BPM | ||
Todos los bienes del mundo | Juan del Encina, Accentus Ensemble, Thomas Wimmer | A Minor | 5 | 8A | 107 BPM | ||
Helas que me faut-il faire | Girard de Beaulieu, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | C Minor | 2 | 5A | 93 BPM | ||
Alleluia Posui Adiutorium | Pérotin, The Hilliard Ensemble | G Minor | 2 | 6A | 83 BPM | ||
Ostinato vo' seguire: Ostinato vo' seguire | Marchetto Cara, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | G Major | 2 | 9B | 107 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM |