"Come taggio lasciato" by Filippo Azzaiolo, Pécs Chamber Choir, Aurél Tillai was released on July 15, 2014. With Come taggio lasciato being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pécs Chamber Choir, Aurél Tillai's "Italian Madrigals From The 16th Century" album is number 9 out of 25. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Come taggio lasciato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Come taggio lasciato by Filippo Azzaiolo, Pécs Chamber Choir, Aurél Tillai to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Im Maien | Piffaro | E Minor | 4 | 9A | 119 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
Danserye: Basse danse: No. 5. La morisque | László Czidra, Tylman Susato, Camerata Hungarica | F Major | 4 | 7B | 119 BPM | ||
Chi passa per 'sta strada | Filippo Azzaiolo, Playfords | A♭ Major | 1 | 4B | 78 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 99 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM |