On July 15, 2014, the song "Danserye: Basse danse: No. 5. La morisque" was released by László Czidra, Tylman Susato, Camerata Hungarica. With Danserye: Basse danse: No. 5. La morisque being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Susato: Danserye". In this album, this song's track order is #1. In terms of popularity, Danserye: Basse danse: No. 5. La morisque is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Danserye: Basse danse: No. 5. La morisque by László Czidra, Tylman Susato, Camerata Hungarica having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La liberazione di Ruggiero dall'isola d'Alcina, Scene 4: Ballo ("Il cavalier di Spagna" by Magistro Rofino) | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 116 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Macbeth: Music Before the Play - Birks of Invermay | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 80 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Chamber Concerto in F Major, RV 100: I. Allegro | Antonio Vivaldi, László Czidra, Jozsef Vajda, János Rolla, Zsuzsa Pertis | G Minor | 1 | 6A | 73 BPM | ||
Brunette (a 5) | Johannes de Stokem, Camerata Hungarica, László Czidra | F Major | 0 | 7B | 65 BPM |