"Parsifal, Act II: Grausamer! Fuhlst du im Herzen" by Richard Wagner, Maria Callas, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Vittorio Gui was released on June 29, 2010. Parsifal, Act II: Grausamer! Fuhlst du im Herzen appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in Callas, Maria: Liebeslieder by Maria Callas, Tullio Serafin, Herbert von Karajan, Antonino Votto, Oliviero de Fabritiis, Vittorio Gui, Arturo Basile. In terms of popularity, Parsifal, Act II: Grausamer! Fuhlst du im Herzen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Parsifal, Act II: Grausamer! Fuhlst du im Herzen by Richard Wagner, Maria Callas, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Vittorio Gui is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | ||
Lohengrin, WWV 75 / Act 3: Mein lieber Schwan! | Richard Wagner, James King, Karl Ridderbusch, Gundula Janowitz, Gwyneth Jones, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 81 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 1 | 5B | 72 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM |