"3 Bearbetungen uber Vom Himmel hoch, da komm ich her" by Ernst Pepping, Hans Fagius was released on November 30, 1993. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Christmas Music by Various Artists, Dan-Olof Stenlund. Based on our statistics, 3 Bearbetungen uber Vom Himmel hoch, da komm ich her's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Bearbetungen uber Vom Himmel hoch, da komm ich her by Ernst Pepping, Hans Fagius is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata and Fugue on "Mitten wir im Leben sind": I. Toccata | Ernst Pepping, Martin Schmeding | A Minor | 1 | 8A | 111 BPM | ||
Symphony No. 3 in E-Flat Major "Die Tageszeiten": II. Der Tag. Maestoso | Ernst Pepping, Nordwestdeutsche Philharmonie, Werner Andreas Albert | B♭ Minor | 2 | 3A | 99 BPM | ||
Six Moravian Choruses: VI. Trust | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
Haus- und Trostbuch: No. 6, Rheinweinlied | Ernst Pepping, Inés Villanueva, Peter Uehling | C Major | 1 | 8B | 111 BPM | ||
Worthy is the Lamb | Joanna Marsh, Ensemble Altera, Christopher Lowrey, James Kennerley | B♭ Minor | 1 | 3A | 78 BPM | ||
Lamentations of Jeremiah I: III. Quomodo sedet sola civitas plena populo | Thomas Tallis, Owain Park, The Gesualdo Six | E♭ Minor | 1 | 2A | 90 BPM | ||
Sheppard: Gaude, gaude, gaude Maria - 15. O benigna quae sola | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 84 BPM | ||
Requiem Canticles: II. Exaudi | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir | G Minor | 0 | 6A | 140 BPM | ||
Jesus, Oh, Remember Me SHZ 440 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Ashley Niemela | F Major | 2 | 7B | 82 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM |