"Concerto No. 7 For Violin and Orchestra in A Minor, Op. 49: Andante sostenuto" by Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin, Harriet Langley had its release date on January 10, 2011. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vieuxtemps: Complete Violin Concertos by Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin. The song's track number on the album is #7 out of 21 tracks. Based on our data, Belgium was the country where this track was produced or recorded. In terms of popularity, Concerto No. 7 For Violin and Orchestra in A Minor, Op. 49: Andante sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 7 For Violin and Orchestra in A Minor, Op. 49: Andante sostenuto by Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin, Harriet Langley has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto No. 7 For Violin and Orchestra in A Minor, Op. 49: Andante sostenuto being at 92 テンポ, the half-time would be 46 テンポ with a double-time of 184 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 2 | 6A | 131 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
String Quartet No.6 In F Minor, Op.80, MWV R 37: 1. Allegro vivace assai | Felix Mendelssohn, Emerson String Quartet | F Minor | 2 | 4A | 90 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Introduction and Tarantella Op. 43 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | G Major | 2 | 9B | 107 BPM | ||
Spohr: Duo Concertante in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Itzhak Perlman | D Major | 2 | 10B | 130 BPM |