"St. Matthew Passion, BWV 244 - Part One: Ich will bei meinem Jesu wachen" by Johann Sebastian Bach, Anthony Rolfe Johnson, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on April 2, 2021. St. Matthew Passion, BWV 244 - Part One: Ich will bei meinem Jesu wachen is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 7 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. In terms of popularity, St. Matthew Passion, BWV 244 - Part One: Ich will bei meinem Jesu wachen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244 - Part One: Ich will bei meinem Jesu wachen by Johann Sebastian Bach, Anthony Rolfe Johnson, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: V. Menuett I & II | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM |