"Kyrie eleyson" by Guillaume de Machaut, Andreas Scholl, Gerd Türk, Emmanuel Bonnardot, Jacques Bona was released on December 31, 1999. Since Kyrie eleyson is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard's "Machaut: Messe de Nostre Dame" album is number 2 out of 17. On top of that, Mexico appears to be the country where this track was created. Kyrie eleyson is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kyrie eleyson by Guillaume de Machaut, Andreas Scholl, Gerd Türk, Emmanuel Bonnardot, Jacques Bona to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 121 BPM | ||
Je ne cesse de prier "Le lay de la fonteinne", Lay 16 a 3: V. Mais n'i ha point de difference | Guillaume de Machaut, Orlando Consort | C Major | 2 | 8B | 67 BPM | ||
Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell | C Major | 2 | 8B | 91 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 131 BPM | ||
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | F Major | 0 | 7B | 82 BPM | ||
Da Ripa : Part III: Nunc Mater exora natum | Heringman | A Major | 0 | 11B | 96 BPM | ||
Le Voir Dit: Rondeau 18: Puis qu'en oubli | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | D Major | 0 | 10B | 69 BPM |