"Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon)" by Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell was released on January 1, 1997. Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon) is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The School of Notre Dame". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon) by Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
Gloria, laus et honor | Ars Veritas | F♯ Minor | 3 | 11A | 76 BPM | ||
Dies Irae | Pro Cantione Antiqua, Mark Brown | D Major | 0 | 10B | 122 BPM | ||
Choral Stichologia (Palaion) | Cappella Romana, Alexander Lingas | E Major | 2 | 12B | 55 BPM | ||
Léonin / Pérotin: Magnus Liber / Easter: Victimae paschali laudes (à 1) (Sequence) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell | A Minor | 1 | 8A | 77 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 - Prague Version 1787 / Act 2: "Zitto! lascia ch'io senta" / "Ahi! ahi! la testa mia!" (Don Giovanni, Masetto / Masetto, Zerlina) | Wolfgang Amadeus Mozart, Rod Gilfry, Julian Clarkson, Eirian James, English Baroque Soloists, John Eliot Gardiner | C Major | 1 | 8B | 114 BPM |