"Serenata Española (arr. Christoph Denoth)" by Joaquín Malats, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra was released on February 19, 2016. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Nocturnos De Andalucía". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Serenata Española (arr. Christoph Denoth) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenata Española (arr. Christoph Denoth) by Joaquín Malats, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor Concerto": II. Adagio un poco mosso | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | F♯ Minor | 1 | 11A | 81 BPM | ||
Manon: 'Je marche sur tous les chemins' | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | E♭ Major | 1 | 5B | 156 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: III Finale. Allegro molto | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4b, Aria, "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Valse melancolique | Emīls Dārziņš, Neeme Järvi, Detroit Symphony Orchestra | B Major | 2 | 1B | 109 BPM | ||
Concerto antico: III. Cantilena | Richard Harvey, Paul Daniel, John Williams, London Symphony Orchestra | D Major | 0 | 10B | 64 BPM | ||
Britten: Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Cristina Ortiz, Bournemouth Symphony Orchestra, Paavo Berglund | G Major | 2 | 9B | 84 BPM | ||
10 Woodland Sketches, Op. 51: No. 1 To a Wild Rose (Orchestrated by Thomas Frost) | Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 80 BPM | ||
Nocturne in C Sharp Minor, KK IVa/16 | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 65 BPM |