Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields's 'Britten: Simple Symphony, Op. 4: II. Playful Pizzicato' came out on January 1, 1998. The duration of Britten: Simple Symphony, Op. 4: II. Playful Pizzicato is about 3 minutes long, at 3:10. Based on our data, "Britten: Simple Symphony, Op. 4: II. Playful Pizzicato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 10 in Britten: The Young Person's Guide to the Orchestra & Four Sea Interludes by Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Britten: Simple Symphony, Op. 4: II. Playful Pizzicato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Britten: Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Luzerner Sinfonieorchester, Michael Sanderling | A Minor | 2 | 8A | 130 BPM | ||
Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 87 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz) | Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz | D Major | 3 | 10B | 102 BPM |