Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch's 'Chansons (arr. for voice and chamber ensemble): Se la face ay pale' came out on May 2, 1996. The duration of Chansons (arr. for voice and chamber ensemble): Se la face ay pale is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Chansons (arr. for voice and chamber ensemble): Se la face ay pale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 17 in Dufay: Chansons by Guillaume Dufay, Michael Posch. In terms of popularity, Chansons (arr. for voice and chamber ensemble): Se la face ay pale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chansons (arr. for voice and chamber ensemble): Se la face ay pale by Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
Saltarello No. 4 | Unicorn Ensemble | D Major | 4 | 10B | 80 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Trattado de glosas: Recercada No. 4, "La gamba" | Diego Ortiz, Piffaro | E♭ Minor | 1 | 2A | 120 BPM | ||
The King of Denmarks Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork | E♭ Major | 1 | 5B | 120 BPM | ||
Si habrá en este baldrés? | Juan del Encina, Piffaro | D Minor | 3 | 7A | 118 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM |