"Samson et Dalila: Mon coeur s'ouvre à ta voix" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Jeannette Nicolai was released on May 15, 2012. Since Samson et Dalila: Mon coeur s'ouvre à ta voix is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #8. Samson et Dalila: Mon coeur s'ouvre à ta voix is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila: Mon coeur s'ouvre à ta voix by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Jeannette Nicolai having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 4 in F Minor, RV 297 "L’Inverno" (Winter): I. Allegro non molto | Antonio Vivaldi, Jaap Van Zweden, Jan Willem de Vriend, Combattimento Consort Amsterdam | F Minor | 2 | 4A | 85 BPM | ||
Pinocchio: Viaggio In Groppa Al Tonno | Fiorenzo Carpi | E Minor | 3 | 9A | 134 BPM | ||
La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Il Gattopardo | Nino Rota, Vienna Walzer Orchestra, Sandro Cuturello | F Major | 2 | 7B | 111 BPM | ||
Preludio No. 1 "The Building Room" - After The Well-Tempered Clavier, Book 1, Prelude No. 1, BWV 846 by Johann Sebastian Bach | Ezio Bosso | C Major | 1 | 8B | 138 BPM | ||
歌劇「カヴァレリア・ルスティカーナ」/間奏曲(『ゴッドファーザーPART III』より) | Budapest Philharmonic Orchestra, アンドラーシュ・コーロディ | F Major | 4 | 7B | 89 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 90 BPM | ||
Concerto pour piano No. 2 en Do mineur, Op. 18: I. Moderato - extraits | Jennifer Fichet, Harry Allouche | F Minor | 3 | 4A | 115 BPM | ||
The Godfather: II. The Immigrant (From "The Godfather, Pt. II") | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | F♯ Minor | 1 | 11A | 87 BPM | ||
Parla più piano | Nino Rota, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra | C Minor | 1 | 5A | 87 BPM |