Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra made "Minkus / Arr. Lanchbery: Don Quixote: No. 8, Basilio with Friends. Pas de trois" available on November 9, 2009. With Minkus / Arr. Lanchbery: Don Quixote: No. 8, Basilio with Friends. Pas de trois being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Based on our statistics, Minkus / Arr. Lanchbery: Don Quixote: No. 8, Basilio with Friends. Pas de trois's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Minkus / Arr. Lanchbery: Don Quixote: No. 8, Basilio with Friends. Pas de trois by Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roses from the South - Waltz Op. 388 | Johann Strauss II, Hallé, Bramwell Tovey | F Major | 1 | 7B | 98 BPM | ||
Moscow-Cheryomushki, Op. 105: 2. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | E Minor | 0 | 9A | 179 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | A Major | 3 | 11B | 146 BPM | ||
Pirouette 1 - Black Swan Pas De Deux | Christopher N Hobson | D Major | 3 | 10B | 162 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
St. John's Night on Bald Mountain: St. John's Night on Bald Mountain, "a Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) [from "Fantasia"] | Modest Mussorgsky, Finnish Radio Symphony Orchestra, Leif Segerstam | C Major | 0 | 8B | 98 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Coriolan, Op. 62: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM |