Jean-Philippe Rameau, Les Arts Florissants, William Christie's 'Les Indes galantes, Première Entrée, Scène 6: Air pour les esclaves africains' came out on October 14, 1991. The duration of Les Indes galantes, Première Entrée, Scène 6: Air pour les esclaves africains is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Les Indes galantes, Première Entrée, Scène 6: Air pour les esclaves africains's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #19. Based on our statistics, Les Indes galantes, Première Entrée, Scène 6: Air pour les esclaves africains's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Les Indes galantes, Première Entrée, Scène 6: Air pour les esclaves africains by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Les Indes galantes, Première Entrée, Scène 2 - Scène 3: "D'infortunés captifs" (Emilie) | Jean-Philippe Rameau, Miriam Ruggeri, Howard Crook, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 80 BPM | ||
Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Les Indes galantes, Prologue, Scène 4 - Scène 5: "Pour remplacer les cœurs" (Hébé) - "Ranimez vos flambeaux" (L'Amour, Hébé, Suite d'Hébé) | Jean-Philippe Rameau, Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 102 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 122 BPM |