Isadore Freed, Rochester Singers, Unknown Artist, Samuel Adler's 'Yism'hu' had a release date set for August 7, 2015. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Samuel Adler, Kenneth Davis, Neil Levin, Timothy Koch's "Milken Archive Digital Vol. 4 Album 9: Cycle of Life in Synagogue & Home – Sabbath Day" album is number 12 out of 23. Based on our statistics, Yism'hu's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Yism'hu by Isadore Freed, Rochester Singers, Unknown Artist, Samuel Adler to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To Sing of Love - A Triptych: II. Perilously | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Divine Harmony ( Modern version) | Christian Chants, Gregorian Chants, Gregorian Chant | C Major | 1 | 8B | 66 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Abendlied | Conrad Beck, Basler Madrigalisten, Raphael Immoos | C Minor | 1 | 5A | 112 BPM | ||
Missa Brevis: Sanctus | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | ||
St. Matthew Passion, BWV 244: No. 44. Chorale: Wer hat dich so geschlagen | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | F Major | 1 | 7B | 109 BPM | ||
O Thou Who Camest from Above | Gramophone Chorus | F Major | 1 | 7B | 132 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Takinobo | cApitol A | F♯ Major | 3 | 2B | 73 BPM |