"Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus" by Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly was released on January 12, 2024. The duration of Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus is about 3 minutes long, at 3:26. Based on our data, "Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Philip Stopford: Sacred Choral Music". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus by Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Ave Maris Stella | John Dunstable, Westminster Kantorei, Amanda Quist | B♭ Minor | 1 | 3A | 171 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM | ||
Lord's Prayer | Kiev Chamber Choir | F Major | 2 | 7B | 133 BPM | ||
O Haupt voll Blut und Wunden | Hans Leo Hassler, Johann Hermann Schein, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | D Major | 1 | 10B | 104 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Crux fidelis | João IV of Portugal, Oxford Camerata, Jeremy Summerly | F Major | 0 | 7B | 74 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM |