Jean Etienne Vaudry de Saizenay, Claire Antonini's 'Ré majeur: Gigue de M r. de Visée' had a release date set for November 12, 2021. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean Etienne Vaudry de Saizenay, Claire Antonini's "Musique française pour luth baroque" album is number 4 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ré majeur: Gigue de M r. de Visée is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ré majeur: Gigue de M r. de Visée by Jean Etienne Vaudry de Saizenay, Claire Antonini to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 5 in F Major: IV. Sarabande | Charles Dieupart, Marsyas Baroque, Simon Linne | F♯ Major | 4 | 2B | 72 BPM | ||
Fa majeur: Chaconne (anonyme) | Jean Etienne Vaudry de Saizenay, Claire Antonini | A♭ Major | 1 | 4B | 103 BPM | ||
Cello Suite No. 1, BWV 1007 (Arr. A. Sariel for Archlute): V. Menuets I & II | Johann Sebastian Bach, Alon Sariel | A Minor | 4 | 8A | 81 BPM | ||
De Fuenllana : Postrero kyrie | Heringman | A Minor | 0 | 8A | 87 BPM | ||
Lute Sonata No. 5 in G Major, WeissSW 5: VI. Menuet | Silvius Leopold Weiss, José Miguel Moreno | D♭ Major | 1 | 3B | 103 BPM | ||
Pieces in A Minor: I. Allemande | Jean Mercure, Anders Ericson | A♭ Minor | 1 | 1A | 136 BPM | ||
A gigge | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 76 BPM | ||
Lute Sonata No. 1: III. Currente | Giovanni Zamboni, Luciano Còntini | A♭ Major | 2 | 4B | 135 BPM | ||
Ré majeur: Allemande de M r. de Visée | Jean Etienne Vaudry de Saizenay, Claire Antonini | A♭ Major | 1 | 4B | 103 BPM | ||
Gaudeamus omnes in Domino (Arr. for Lute Duo) | Alexander Agricola, Marc Lewon, Paul Kieffer | B Minor | 1 | 10A | 105 BPM |