Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici made "Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito" available on July 29, 2016. The duration of Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 22 in Concerti Romani: Corelli's Heritage and the Roman School by I Musici. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito by Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quattro Adagi: II. Tema di Debora (From "Once Upon a Time in America") | Ennio Morricone, Marco Serino, Orchestra di Padova e del Veneto | E Major | 2 | 12B | 89 BPM | ||
Sonata in A Minor for Violin and Continuo, Op. 1 No. 6: IV. Tempo di Gavotta (From Cupis's Sonata, Op. 1 No. 2) | Jean-Baptiste Cupis, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Dance | Maya Badian, Istvan Campan-Fatyol, Ladislau Darida, Erwin Czuczu | D♭ Minor | 2 | 12A | 159 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
Violin Sonata in A Minor, Op. 1 No. 12: I. Adagio andantissimo - from "Sonate a Violino e violone o cembalo, Op. 1", Amsterdam, 1718 | Pietro Castrucci, Mayumi Hirasaki, Lorenzo Ghielmi, Johannes Loescher, Michael Freimuth | A♭ Minor | 1 | 1A | 68 BPM | ||
12 Concerti et sinphonie, Op. 1: Violin Concerto No. 4 in E Minor: I. Allegro | Giuseppe Antonio Brescianello, David Plantier, Cetra Baroque Orchestra Basel, La, Vaclav Luks | E♭ Minor | 2 | 2A | 115 BPM | ||
Il prigioniero fortunato: Sinfonia: II. Adagio | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 1 | 3B | 84 BPM | ||
Violin Concerto in D Major, Op. 3, No. 3: I. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 1 | 10B | 125 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | B♭ Minor | 1 | 3A | 112 BPM |