"The Nightingale: Tableaux VI: At the Palace" by Ugis Praulins, Danish National Vocal Ensemble, Michala Petri, Stephen Layton was released on November 1, 2011. With this song being about 5 minutes long, at 4:59, "The Nightingale: Tableaux VI: At the Palace" by Ugis Praulins, Danish National Vocal Ensemble, Michala Petri, Stephen Layton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Nightingale: 4 New Works for Recorder and Choir". In this album, this song's track order is #6. Based on our statistics, The Nightingale: Tableaux VI: At the Palace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nightingale: Tableaux VI: At the Palace by Ugis Praulins, Danish National Vocal Ensemble, Michala Petri, Stephen Layton having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
P. Chesnokov, Open to Me the Doors of Repentance, Op. 21a, No. 2 (Покаяния отверзи ми двери) | Pavel Chesnokov, St.Petersburg Chamber Choir, Nikolai Korniev | E Minor | 1 | 9A | 83 BPM | ||
Sacred Place: II. Amidah | Alex Berko, Conspirare, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | E♭ Major | 2 | 5B | 76 BPM | ||
Voices For Salvation | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Zwei Betrüger | SWR Vokalensemble Stuttgart, Lars Reichow, Ugis Praulins | C Major | 4 | 8B | 75 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
Robert Pearsall: Lay a garland | Lumen Valo | E♭ Major | 1 | 5B | 124 BPM | ||
Der Kaiser von China | Malte Arkona, SWR Vokalensemble Stuttgart, Michala Petri, Ugis Praulins | F Minor | 1 | 4A | 97 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM |