"P. Chesnokov, Open to Me the Doors of Repentance, Op. 21a, No. 2 (Покаяния отверзи ми двери)" by Pavel Chesnokov, St.Petersburg Chamber Choir, Nikolai Korniev was released on March 27, 2021. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "P. Chesnokov, Sacred compositions, Op. 21a, Op. 22". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Russia. P. Chesnokov, Open to Me the Doors of Repentance, Op. 21a, No. 2 (Покаяния отверзи ми двери) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With P. Chesnokov, Open to Me the Doors of Repentance, Op. 21a, No. 2 (Покаяния отверзи ми двери) by Pavel Chesnokov, St.Petersburg Chamber Choir, Nikolai Korniev having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oh, Children, Hearken to the Calling Savior SHZ 473 | Laestadian Lutheran Church, Liisa Keranen | F Major | 2 | 7B | 123 BPM | ||
Liturgija Sv. Jovana Zlatoustog (Liturgy of St. John Chrysostom) - 5 | Stevan St. Mokranjac, Beogradski Madrigalisti | B♭ Minor | 1 | 3A | 135 BPM | ||
Responsorios: Animan mean (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | B♭ Major | 2 | 6B | 89 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Responsorios: Recessit pastor nostre (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | F Minor | 4 | 4A | 71 BPM | ||
Sancte Michael Archangele | Wolfango Dalla Vecchia, Schola San Rocco, Francesco Erle | A Minor | 1 | 8A | 0 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
Cum Autem Venissem | Jerycho | F♯ Major | 1 | 2B | 104 BPM | ||
O Marvel Wonderful! | The Choir of the Dormition Church of the Novodevichy Convent | B Major | 2 | 1B | 75 BPM | ||
Hymnus Eucharisticus | Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM |