"10 Duos, Op. 53: No. 3. Con moto" by Reinhold Glière, Martin Rummel, Alexander Hülshoff was released on January 1, 2013. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Reinhold Glière, Martin Rummel's "Glière: Complete Duets with Cello" album is number 12 out of 31. In terms of popularity, 10 Duos, Op. 53: No. 3. Con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 10 Duos, Op. 53: No. 3. Con moto by Reinhold Glière, Martin Rummel, Alexander Hülshoff to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Maria Kliegel, Nina Tichman | E♭ Major | 0 | 5B | 84 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Sonata No. 1 for cello and piano in D Minor: I. Prologue | Claude Debussy, Alexandre Tharaud, Jean-Guihen Queyras | D Minor | 0 | 7A | 75 BPM | ||
Debussy: Piano Trio in G Major, L. 5: IV. Finale - Appassionato | Claude Debussy, Bertrand Chamayou | F Minor | 2 | 4A | 109 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 1 | 4A | 78 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM |