"Magnificat & Nunc dimittis in F "Collegium Regale": II. Nunc dimittis" by Charles Wood, St. Paul's Cathedral Choir, John Scott, Christopher Dearnley was released on December 1, 1987. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in St. Paul's Cathedral Choir, Charles Villiers Stanford, John Scott, Thomas Attwood Walmisley, Christopher Dearnley, Samuel Sebastian Wesley, Hugh Blair, Charles Wood, Herbert Brewer's "My Soul Doth Magnify the Lord: Magnificat & Nunc Dimittis Settings Vol. 1 - Stanford, Walmisley, Wesley, Wood etc." album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Magnificat & Nunc dimittis in F "Collegium Regale": II. Nunc dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc dimittis in F "Collegium Regale": II. Nunc dimittis by Charles Wood, St. Paul's Cathedral Choir, John Scott, Christopher Dearnley to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Service in D Major: I. Magnificat | George Dyson, Exeter Cathedral Choir, Paul Morgan, Lucian Nethsingha | D Major | 2 | 10B | 104 BPM | ||
Psalm 130: 'Out of the deep have I called unto Thee, O Lord' (after Purcell) | James Turle, The Choir Of Westminster Abbey, Martin Neary | F Major | 0 | 7B | 83 BPM | ||
O hearken Thou, "Psalm 5" | William Henry Harris, Roger Judd, St. George's Chapel Choir, Windsor, Tim Byram-Wigfield | G Major | 0 | 9B | 81 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
O God of Earth and Altar | Blackburn Cathedral Choir, Greg Morris | D♭ Major | 2 | 3B | 97 BPM | ||
Cry Out and Shout | Knut Nystedt, Stella, Solvieg Agren's Chamber Choir, Solvieg Agren | D Minor | 3 | 7A | 85 BPM | ||
Llanfair "Hail the Day That Sees Him Rise" | Robert Williams, The Choir of Tewkesbury Abbey School, Carleton Etherington, Benjamin Nicholas | G Major | 2 | 9B | 80 BPM | ||
Kiss Me, Kate: I Hate Men (Katharine/Lilli) | Cole Porter, Alfred Drake, Patricia Morison, Harold Lang, Lisa Kirk, Annabelle Hill, Lorenzo Fuller, Harry Clark, Jack Diamond, Edwin Clay, Charles Wood, Fred Davis, Eddie Sledge, Original Broadway Cast Chorus, Original Broadway Cast Orchestra, Pembroke Davenport | F Minor | 3 | 4A | 96 BPM | ||
Cor Mundum Crea in Me Deus | Cincinnati Choral Society, Howard Helvey | B♭ Major | 2 | 6B | 69 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM |