Anonymous, Hermann Prey, Studio ensemble made "Die Lore am Tore, "Von allen den Madchen"" available on April 6, 2010. The duration of Die Lore am Tore, "Von allen den Madchen" is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Die Lore am Tore, "Von allen den Madchen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 150 in Die 150 schonsten Volkslieder by Various Artists, Martin Flämig, Hans-Joachim Rotzsch, Gerhard Schmidt-Gaden, Jörg Peter Weigle, Andreas Wiedermann, Roland Buechner, Roderich Kreile, Hans Lang, Dietrich Knothe, Friedrich Krell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Die Lore am Tore, "Von allen den Madchen" is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Die Lore am Tore, "Von allen den Madchen" by Anonymous, Hermann Prey, Studio ensemble is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | G Major | 4 | 9B | 95 BPM | ||
Victimae paschali laudes - Sequentia Tempore Paschali | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | E Minor | 1 | 9A | 131 BPM | ||
Logn og blíða | Carl M. Bellman, Karlakórinn Heimir | G Major | 3 | 9B | 94 BPM | ||
Ich lobe meinen Gott von ganzem Herzen - EKG 272 - Arranged By Michael Reif | Claude Fraysse, Rundfunkchor Berlin, Simon Halsey | F Major | 3 | 7B | 109 BPM | ||
Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | A Major | 1 | 11B | 177 BPM | ||
Messiah, HWV 56, Part II: Hallelujah! (Sung in German) | George Frideric Handel, Die großen geistlichen Chöre, Artist Unknown | D Major | 5 | 10B | 98 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
Glühende Erde | Apricot Fire | D Major | 1 | 10B | 79 BPM | ||
Auf'n Heuboden | Finsterbach Quintett | B Major | 2 | 1B | 85 BPM | ||
Über meiner Heimat Frühling | Knabenchor Hannover | C Major | 2 | 8B | 115 BPM |