Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations's 'Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle"' came out on September 24, 2021. With Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 21 out of 85. Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcione, Acte I Scène 2: "Que rien ne trouble plus une flamme si belle" by Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: II. Adagio | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | E Major | 1 | 12B | 101 BPM | ||
Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Exit Passacaille en si mineur | Rolf Lislevand | D♭ Major | 2 | 3B | 117 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 85 BPM | ||
1ère suite en la mineur, 5ème livre 1ère partie: Petit caprice | Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier | A♭ Minor | 0 | 1A | 131 BPM | ||
Prélude à 7 cordes | Monsieur de Sainte-Colombe, Hille Perl | D♭ Major | 0 | 3B | 114 BPM |