Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier's '1ère suite en la mineur, 5ème livre 1ère partie: Petit caprice' came out on September 15, 1999. With 1ère suite en la mineur, 5ème livre 1ère partie: Petit caprice being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier's "Marais : Pièces de viole, 5ème livre, 1ère partie" album is number 10 out of 54. On top of that, France appears to be the country where this track was created. Based on our statistics, 1ère suite en la mineur, 5ème livre 1ère partie: Petit caprice's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 1ère suite en la mineur, 5ème livre 1ère partie: Petit caprice by Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM | ||
Suite in E Minor, BWV 996: II. Allemande | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM |