"Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt" by Johann Sebastian Bach, Ensemble Accentus, Laurence Equilbey was released on September 1, 2017. Since Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 50 Bach Treasures by Naïve, so we believe that "Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt" is a single. Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt by Johann Sebastian Bach, Ensemble Accentus, Laurence Equilbey is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Hymn of the Cherubim (Excerpt) | USSR Ministry of Culture Chamber Choir | E♭ Minor | 1 | 2A | 126 BPM | ||
St. John Passion, BWV 245, Part I: No. 1, Chorus "Herr, unser Herrscher" (Exordium) | Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Major | 4 | 12B | 139 BPM | ||
Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
Symphony No 5, Kein deutscher Himmel: Adagietto | Gustav Mahler, Gérard Pesson, Accentus, Laurence Equilbey | F Major | 1 | 7B | 76 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |