"Ich stund an einem morgen: Hertz lieb ich hab vernumen" by Ludwig Senfl, Singer Pur, Ensemble Leones was released on July 15, 2022. The duration of Ich stund an einem morgen: Hertz lieb ich hab vernumen is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Ich stund an einem morgen: Hertz lieb ich hab vernumen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Senfl, Singer Pur, Ensemble Leones's "Ludwig Senfl: Motets & Songs" album is number 7 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ich stund an einem morgen: Hertz lieb ich hab vernumen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ich stund an einem morgen: Hertz lieb ich hab vernumen by Ludwig Senfl, Singer Pur, Ensemble Leones to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
Alta | Capella de Ministrers, Carles Magraner | B♭ Major | 1 | 6B | 118 BPM | ||
Miserere a 9: No. 3, Quoniam iniquitatem - Tibi soli peccavi | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn II - Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | A♭ Minor | 1 | 1A | 78 BPM | ||
Ay Que Vivo en Tierra Extraña | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 135 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM |