On 2004, the song "Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.2 in C minor BWV871" was released by Daniel Barenboim. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.2 in C minor BWV871 is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.2 in C minor BWV871's duration is considered a little bit shorter than the average duration of a typical track. The song is number 52 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.2 in C minor BWV871 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.2 in C minor BWV871 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Piano Sonata No. 11 In B Flat Major, Op. 22: 2. Adagio con molto espressione | Ludwig van Beethoven, Daniel Barenboim | E♭ Major | 0 | 5B | 77 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: III. Aria. Larghetto e piano | George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck | E♭ Major | 1 | 5B | 127 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Scarlatti, D: Keyboard Sonata in B-Flat Major, Kk. 544 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
Images I, L. 110: 3. Mouvement | Claude Debussy, Seong-Jin Cho | F Major | 1 | 7B | 118 BPM |