Giacomo Meyerbeer, Pasquale Amato, Orchestra and Chorus of the Metropolitan Opera made "L'Africaine: Adamastor, roi des vagues profondes (Recorded 1914)" available on January 1, 1999. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Pasquale Amato (Recorded 1911 - 1914)". In this album, this song's track order is #12. Based on our statistics, L'Africaine: Adamastor, roi des vagues profondes (Recorded 1914)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'Africaine: Adamastor, roi des vagues profondes (Recorded 1914) by Giacomo Meyerbeer, Pasquale Amato, Orchestra and Chorus of the Metropolitan Opera having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Idomeneo: Ouverture. Allegro | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | F Major | 0 | 7B | 88 BPM | ||
Les Huguenots / Act 4: Gloire, gloire au grand Dieu vengeur! | Giacomo Meyerbeer, John Wakefield, Alan Opie, Clifford Grant, Gabriel Bacquier, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | E Major | 3 | 12B | 167 BPM | ||
Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM | ||
Incidental Music to "A Midsummer Night's Dream", Op.61: II. I. Scherzo After Act 1 | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | G Minor | 1 | 6A | 119 BPM | ||
Les Huguenots / Act 1: Il faut rompre l'hymen ... Honneur au conquérant | Giacomo Meyerbeer, Dominic Cossa, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | D Major | 3 | 10B | 128 BPM | ||
Symphony in F minor, H.I No. 49 -"La passione": 1. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | F Minor | 0 | 4A | 84 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 140 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM |