Wolfgang Amadeus Mozart, Olaf Bär, London Philharmonic Orchestra, Franz Welser-Möst made "Die Zauberflöte, K. 620, Act I Scene 1: Der Vogelfänger bin ich ja (Papageno)" available on 1981. The duration of Die Zauberflöte, K. 620, Act I Scene 1: Der Vogelfänger bin ich ja (Papageno) is about 3 minutes long, at 3:01. Based on our data, "Die Zauberflöte, K. 620, Act I Scene 1: Der Vogelfänger bin ich ja (Papageno)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 59 in the song's album "The Magic Flute". In this album, this song's track order is #5. Based on our statistics, Die Zauberflöte, K. 620, Act I Scene 1: Der Vogelfänger bin ich ja (Papageno)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Zauberflöte, K. 620, Act I Scene 1: Der Vogelfänger bin ich ja (Papageno) by Wolfgang Amadeus Mozart, Olaf Bär, London Philharmonic Orchestra, Franz Welser-Möst having a テンポ of 147 with a half-time of 74 テンポ and a double-time of 294 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Five Mystical Songs: No. 3, Love Bade Me Welcome | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Die Zauberflöte, K.620, Act I: Zu Hilfe! Zu Hilfe! (Tamino, Damen) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 54 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Via resti servita, madama brillante" | Wolfgang Amadeus Mozart, Edith Mathis, Patricia Johnson, Orchester der Deutschen Oper Berlin, Karl Böhm | A Major | 2 | 11B | 64 BPM |