"Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso - Pt. 8" by Frédéric Chopin, Tamás Vásáry, Berliner Philharmoniker, Janos Kulka was released on July 30, 2022. With Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso - Pt. 8 being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 28 out of 256 in BBQ Night with Chopin by Frédéric Chopin, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso - Pt. 8 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso - Pt. 8 by Frédéric Chopin, Tamás Vásáry, Berliner Philharmoniker, Janos Kulka is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Minuet in E Major, D. 335 | Franz Schubert, Arcadi Volodos | E Major | 0 | 12B | 61 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM |