"Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio" by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc was released on January 1, 2014. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Bach by Johann Sebastian Bach, Lisa Batiashvili, Carl Philipp Emanuel Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Sinfonia in B-Flat Major, HWV 339: I. Allegro | George Frideric Handel, The Brook Street Band | A Major | 3 | 11B | 121 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro | Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague | E Minor | 3 | 9A | 103 BPM | ||
Trio Sonata in B Minor, H. 567: II. Adagio | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | B Minor | 1 | 10A | 77 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |