"Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Imple superna gratia"" by Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Chorus, Royal Concertgebouw Orchestra, Riccardo Chailly was released on 2001. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Royal Concertgebouw Orchestra, Riccardo Chailly's "Mahler: Symphony No. 8 (Mahler 8)" album is number 2 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Imple superna gratia" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E flat - "Symphony of a Thousand" - Part One: Hymnus "Veni creator spiritus": "Imple superna gratia" by Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Chorus, Royal Concertgebouw Orchestra, Riccardo Chailly to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 2 | 3B | 66 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | G Major | 0 | 9B | 97 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM |