"de Missa "Mille Regretz": Agnus Dei III B (Morales)" by The Hilliard Ensemble was released on January 1, 1997. The duration of de Missa "Mille Regretz": Agnus Dei III B (Morales) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. de Missa "Mille Regretz": Agnus Dei III B (Morales)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 16 in Cristóbal de Morales: Missa Mille Regretz by The Hilliard Ensemble. de Missa "Mille Regretz": Agnus Dei III B (Morales) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of de Missa "Mille Regretz": Agnus Dei III B (Morales) by The Hilliard Ensemble is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Schütz: Der Schwanengesang, Op. 13, Psalm CXIX: Koph und Resch. "Ich rufe von ganzem Herzen", SWV 491 | Heinrich Schütz, The Hilliard Ensemble, Knabenchor Hannover, London Baroque, Heinz Hennig | D♭ Major | 1 | 3B | 95 BPM | ||
Virgo prudentissima | Hilaire Penet, Alan Black, Pomerium | D Minor | 1 | 7A | 136 BPM | ||
S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 67 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Tant que vivrai | Claudin de Sermisy, Harmonia Recorder Ensemble | G Major | 0 | 9B | 124 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
O Viridissima virga | Hildegard von Bingen, Grace Davidson | C Minor | 0 | 5A | 93 BPM |