"Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice" by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen was released on January 1, 1995. With Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 19 in Arnold: The Complete Works for Clarinet by Malcolm Arnold, Emma Johnson, English Chamber Orchestra, Ivor Bolton. In terms of popularity, Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Reverie (arr. for orchestra) | Anonymous , Claude Debussy, Minnesota Orchestra, Eiji Oue | F Major | 0 | 7B | 82 BPM | ||
Blithe Bells (After J.S. Bach's BWV 208) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B Major | 2 | 1B | 89 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Pines Of Rome, P. 141: 4. The Pines Of The Appian Way | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 166 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
English Dances, Set 1, Op. 27: No. 1, Andantino | Malcolm Arnold, London Philharmonic Orchestra | D Major | 1 | 10B | 109 BPM |