"English Dances, Set 1, Op. 27: No. 1, Andantino" by Malcolm Arnold, London Philharmonic Orchestra was released on August 1, 2006. The duration of English Dances, Set 1, Op. 27: No. 1, Andantino is about 3 minutes long, at 3:13. Based on our data, "English Dances, Set 1, Op. 27: No. 1, Andantino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 22 in Arnold: Orchestral Works by Malcolm Arnold, London Philharmonic Orchestra. In terms of popularity, English Dances, Set 1, Op. 27: No. 1, Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of English Dances, Set 1, Op. 27: No. 1, Andantino by Malcolm Arnold, London Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
An Outdoor Overture | Aaron Copland, Colorado Symphony, Andrew Litton | F Major | 2 | 7B | 153 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Sanctuary | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 0 | 5B | 70 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Allegro - Andantino, come prima | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 81 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM |