"Peter and the Wolf, Op. 67: Andante molto" by Sergei Prokofiev, New York Philharmonic, Leonard Bernstein was released on April 26, 2024. With Peter and the Wolf, Op. 67: Andante molto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 16 in the song's album "Peter and the Wolf (Remastered 2023)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. In terms of popularity, Peter and the Wolf, Op. 67: Andante molto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peter and the Wolf, Op. 67: Andante molto by Sergei Prokofiev, New York Philharmonic, Leonard Bernstein having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Piano Sonata No. 8 in B-Flat Major, Op. 84: II. Andante sognando | Sergei Prokofiev, Bernd Glemser | D♭ Major | 0 | 3B | 125 BPM | ||
Sylvia: Act I: Intermezzo | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Minor | 0 | 3A | 82 BPM | ||
Sonata for Violin Solo No. 2 in A Minor, BWV 1003: 4. Allegro | Johann Sebastian Bach, Hilary Hahn | A Minor | 2 | 8A | 83 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
12 Études, Op. 10: No. 12 in C Minor "Revolutionary" | Frédéric Chopin, Maurizio Pollini | C Minor | 2 | 5A | 103 BPM |