"Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato" by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig was released on December 1, 1993. Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig's "Mendelssohn : Violin Concerto in E minor" album is number 1 out of 3. In terms of popularity, Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 125 BPM | ||
Tchaikovsky : Violin Concerto in D major Op.35 : II Canzonetta - Andante | Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | E♭ Major | 0 | 5B | 131 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM |