"Tchaikovsky : Violin Concerto in D major Op.35 : II Canzonetta - Andante" by Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker was released on 1993. Tchaikovsky : Violin Concerto in D major Op.35 : II Canzonetta - Andante is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Maxim Vengerov, Claudio Abbado, Daniel Barenboim, Kurt Masur, Mstislav Rostropovich, Berliner Philharmoniker, Chicago Symphony Orchestra, Gewandhausorchester Leipzig, London Symphony Orchestra's "Maxim Vengerov - Great Violin Concertos" album is number 8 out of 26. Based on our statistics, Tchaikovsky : Violin Concerto in D major Op.35 : II Canzonetta - Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tchaikovsky : Violin Concerto in D major Op.35 : II Canzonetta - Andante by Pyotr Ilyich Tchaikovsky, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Berliner Philharmoniker, Carlo Maria Giulini | G Major | 1 | 9B | 65 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Violin Concerto No.1 In A Minor, Op.99 (Formerly Op.77): 2. Scherzo (Allegro) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 3 | 7B | 113 BPM | ||
L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Renaud Capuçon, Khatia Buniatishvili | A Major | 2 | 11B | 81 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
La Précieuse (in the style of Louis Couperin) | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 80 BPM |