"8 Songs, Op. 11: No. 6. Killebukken" by Wilhelm Peterson-Berger, Helena Stroberg, Gunnar Birgersson, Mikaeli Chamber Choir, Anders Eby was released on April 1, 2012. With 8 Songs, Op. 11: No. 6. Killebukken being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Peterson-Berger: Songs for Mixed Choir". In this album, this song's track order is #11. In terms of popularity, 8 Songs, Op. 11: No. 6. Killebukken is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Songs, Op. 11: No. 6. Killebukken by Wilhelm Peterson-Berger, Helena Stroberg, Gunnar Birgersson, Mikaeli Chamber Choir, Anders Eby having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
It was a lover and his lass | Ward Swingle, Vasari Singers, Jeremy Backhouse | E Major | 0 | 12B | 69 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Requiem: III. Pie Jesu | John Rutter, Caroline Ashton, Donna Deam, The Cambridge Singers, Quentin Poole, Stephen Orton, City of London Sinfonia | F Major | 0 | 7B | 94 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Frosoblomster (Froso-Flowers), Book 1, Op. 16: No. 8. Halsning (Greeting) | Wilhelm Peterson-Berger, Niklas Sivelov | E Major | 0 | 12B | 66 BPM | ||
Christus factus est | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | D Minor | 0 | 7A | 173 BPM | ||
If Ye Love Me | Thomas Tallis, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 79 BPM | ||
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM |