Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen made "Flute Concerto No. 2 in C Minor: III. Courante a l'Italienne - croches egales" available on January 1, 2007. With Flute Concerto No. 2 in C Minor: III. Courante a l'Italienne - croches egales being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 50 in Flute Music (French and Italian 18Th Century) - Monteclair, M.P. / Blavet, M. / Guignon, J.-P. / Boismortier, J.B. / Leclair, J.-M. by Barthold Kuijken. The popularity of Flute Concerto No. 2 in C Minor: III. Courante a l'Italienne - croches egales is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Flute Concerto No. 2 in C Minor: III. Courante a l'Italienne - croches egales by Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen is Presto (very, very fast), since this song has a tempo of 179 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): IV. Giga: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 2 | 1B | 126 BPM | ||
IX. 1Ère Folette - 2E Folette | Michel Pignolet de Montéclair, Hedos Ensemble | B♭ Minor | 0 | 3A | 114 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: I. Prélude | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Chamber Sonata No. 4 in G Minor: VI. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 112 BPM | ||
Christ lag in Todesbanden: IVb. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |