Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard made "Stabat Mater in F Minor, P. 77: Eja mater fons amoris" available on October 21, 2016. With Stabat Mater in F Minor, P. 77: Eja mater fons amoris being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Pergolesi Stabat Mater". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Stabat Mater in F Minor, P. 77: Eja mater fons amoris's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stabat Mater in F Minor, P. 77: Eja mater fons amoris by Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Stabat Mater in F Minor, P. 77: Quando corpus morietur | Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard | E Minor | 5 | 9A | 140 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem Natum (Soprano) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 0 | 2A | 82 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 3 | 6A | 108 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |