Marc-Antoine Charpentier, David Tricou, Mathias Vidal, Geoffroy Buffière, Valentin Tournet, La Chapelle Harmonique's 'Magnificat, H. 79: IX. Sicut erat' came out on September 8, 2023. The duration of Magnificat, H. 79: IX. Sicut erat is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Magnificat, H. 79: IX. Sicut erat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 31 in Charpentier: Te Deum by Marc-Antoine Charpentier, Valentin Tournet, La Chapelle Harmonique. In terms of popularity, Magnificat, H. 79: IX. Sicut erat is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Magnificat, H. 79: IX. Sicut erat by Marc-Antoine Charpentier, David Tricou, Mathias Vidal, Geoffroy Buffière, Valentin Tournet, La Chapelle Harmonique is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 2 | 1B | 89 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Sonate à huit, H. 548: III. Récit de la basse de violon - Bourrée | Marc-Antoine Charpentier, Les Dominos | C Minor | 1 | 5A | 81 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM |