Johann Sebastian Bach, Murray Perahia made "French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II" available on October 7, 2016. The duration of French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II is about 3 minutes long, at 3:02. Based on our data, "French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 4 out of 39. Based on our statistics, French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II by Johann Sebastian Bach, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.23 in B major BWV892 | Daniel Barenboim | G Minor | 5 | 6A | 129 BPM | ||
Les Tricoteuses (23e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 169 BPM | ||
Partita No. 6 in E Minor, BWV 830: II. Allemande | Johann Sebastian Bach, Murray Perahia | A Minor | 2 | 8A | 84 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VIII. Allegro | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 100 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Sonata in A Major, L 391 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
A:1 Invention No. 14 in B flat, BWV 785 | Johann Sebastian Bach, Dinara Klinton | B♭ Major | 1 | 6B | 99 BPM | ||
Piano Concerto No. 2 in B-Flat Major, K. 39: III. Molto allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | B♭ Major | 1 | 6B | 152 BPM |