"Twenty-Four Preludes, Op. 34 - 10 Preludes Transcribed For Violin And Piano By Dmitri Tziganov: 5. Largo" by Dmitri Shostakovich, Vadim Repin, Martha Argerich was released on February 2, 2023. The duration of Twenty-Four Preludes, Op. 34 - 10 Preludes Transcribed For Violin And Piano By Dmitri Tziganov: 5. Largo is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Twenty-Four Preludes, Op. 34 - 10 Preludes Transcribed For Violin And Piano By Dmitri Tziganov: 5. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 13 in Argerich / Shostakovich: Piano Concerto & Chamber Music by Dmitri Shostakovich, Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Twenty-Four Preludes, Op. 34 - 10 Preludes Transcribed For Violin And Piano By Dmitri Tziganov: 5. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twenty-Four Preludes, Op. 34 - 10 Preludes Transcribed For Violin And Piano By Dmitri Tziganov: 5. Largo by Dmitri Shostakovich, Vadim Repin, Martha Argerich is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo | Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov | C Major | 1 | 8B | 79 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM |