"The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo" by Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov was released on February 23, 2010. With this song being about 5 minutes long, at 5:05, "The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo" by Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Shostakovich, D.: Young Guard Suite (The) / Zoya Suite". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo by Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM | ||
The Snow Maiden Suite: Danse des bouffons (Dance of the Clowns) | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Donald Johanos | E♭ Major | 4 | 5B | 97 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | A Major | 1 | 11B | 130 BPM | ||
A Vulgar Mind | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade | Modest Mussorgsky, Maurice Ravel, Minnesota Orchestra, Eiji Oue | G Minor | 0 | 6A | 91 BPM | ||
Giselle: No. 22 - Allegro con moto | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | F Major | 0 | 7B | 82 BPM |